Neuropsychological and Employment Implications: A Case Study of :: Medical Medicine Essays

Neuropsychological and Employment Implications: A Case Study of Whiting’s Patient Introduction: In 2005, the case study patient was involved in an automobile accident, where he sustained a head injury (Whiting, 2005). During a routine CT scan to check for possible brain damage, his physicians discovered an abnormal growth within his third (3rd) ventricle, in the approximate region of the frontal lobe. The physicians later determined that the growth was a colloid cyst, which is a collection of gelatinous material. On the advice of his physicians, the patient underwent neurosurgery to have the cyst removed, and recovered without any serious side effects. The diagnostics, treatment, and follow-up care associated with brain surgery are not performed in a vacuum; rather, the appropriate level of pre-operative and post-operative care relies on the deliberate cooperation of various parties. These parties include the neurologist, the neurosurgeon, the psychological and psychiatric professionals, the patient’s spouse, his or her employer, and the patient her or himself. The intent of this paper is to examine the roles of the neuropsychologist and the patient’s employers in the successful treatment, using the case study of the patient as a vehicle to conduct this analysis. This paper will begin with a brief overview of the frontal cortex and the 3rd ventricle, followed by the viewpoints of the neuropsychologist and the patient’s employer. The Frontal Cortex: A Brief Overview The brain’s outermost covering, the cerebral cortex, is partitioned into four lobes: the occipital lobe, the parietal lobe, the temporal lobe, and the frontal lobe. Although these lobes, as well as the rest of the brain, mutually innervate each other, each particular lobe is associated with different aspects of behavior and information processing (Drubach, 2000). The occipital cortex contains much of the neurons used in the processing of visual images, the temporal lobe processes many components used in the understanding of language, and the parietal lobe contains the primary somatosensory cortex, the cortical structure involved in the processing of touch sensations and muscle and joint data. (Kalat, 2001) Of interest to us is the frontal lobe. It extends from the central sulcus (a deep cortical groove extending along the coronal plane to both hemispheres of the brain) to the anterior limits of the brain. The two main divisions of the frontal lobe are the primary motor cortex and the pre-frontal cortex. The latter structure, the primary motor cortex, is responsible for the coordination of fine motor movements throughout different

Maternal Stress and the Effects of Childhood Development Essay

In conducting my research on developmental studies, I had the chance to review many academic journals with many different studies. I chose to read, â€Å"The Role of Prenatal Maternal Stress in Child Development,† by Janet A.DiPietro in the, Current Directions in Psychological Science journal. The title of the study itself does identify the independent and dependent variable. The independent variable is the effect of stress, and the dependent variable is the child’s development. In reading the introduction, I learned that throughout history people have thought that the emotions and experiences of a pregnant woman impinge on her developing fetus. (DiPietro, 2004) I also learned that there are no direct neural connections between the mother and fetus. (DiPietro, 2004) The journal went on to describe the physiological processes involved in mother to fetus bio-chemical and hormonal functions. The main studies used in determining theoretical explanations throughout history, have been in animal studies. According to DiPietro (2004), â€Å"the most compelling evidence between maternal physiological functioning and later development in offspring is found in animal studies.† (p. 1). The hypothesis of this study suggests that maternal stressors are more far-reaching on child behavior than previously suspected. (DiPietro, 2004). The main way that this hypothesis has been studied is by utilizing animal research. In a series of studies done with rhesus monkeys, when the mothers were exposed to loud noises throughout pregnancy, the offspring showed delayed motor development and reduced attention. (DiPietro, 2004) It does seem that most of the studies conducted on animals have reported negative consequences. Although reports of either no effects or beneficial ones make it clear that much is left to be learned about the specific characteristics of stressors that either accelerate or retard development. (DiPietro, 2004) The subjects used in the methods section were humans. Although, according to the article, this is difficult to study in the human because of the physiological differences during the pregnancies of the different species, and the fact that researchers are unable to control events that transpire after birth in humans. (DiPietro, 2004) Therefore, there are no graphs, charts or statistical measures seen in this article. There were several methods used to analyze the data in this article. One was the survey. Surveys were done with mothers who had witnessed a catastrophic even such as the World Trade Center disaster, or an earthquake. Although the study was able to show that the mother was indeed stressed during pregnancy, there was no study conducted on the outcome of the child. (DiPietro, 2004) Another method had mothers report about their stress incurred during pregnancy, and then an observer and not a parent rated the infant’s behavior. The article suggests that even the resulting information in this study may be skewed, because the studies relied on the Mother’s reports of their children’s problems. It finally became apparent through this study that the only way for the researchers to examine the effects of stressors on the fetus was to subject women to a non-invasive stressor and then measure fetal response. (DiPietro, 2004) They gave these women a standardized test called the, Stroop Color-Word Test. (DiPietro, 2004) The test caused the women to feel cognitively challenged, therefore inducing increased physiological responses in mother, but interestingly, not in the fetus. Fetal motor activity was actually suppressed, according to the study. (DiPietro, 2004) The final results of the study showed that higher maternal anxiety midway through pregnancy were strongly associated with better motor and mental development scores on the Bayley Scales of Infant Development. (DiPietro, 2004) Interestingly, the research conducted on humans, showed that the effects on the developing child are opposite of the effects on animals. The article ends with this statement, â€Å" Too much or too little stress may impede development, but a moderate level may be formative or optimal. It seems that there is really too little research on this area of study to come to a conclusion. I found this study to be very interesting and relevant to today’s issues within society, and especially the question of nature versus nurture. It makes me think about children who are displaying such violent behaviors such as shooting their classmates and parents. It makes me ask the question of what was going on in the mother’s environment during pregnancy? Did she have an easy, stress free, supported pregnancy, or was there fighting and unrest during the pregnancy? Could factors such as these affect the child and develop into what we label as sociopathic? It would be interesting to conduct a study of pregnant women in a prison setting versus pregnant women in an ideal pregnancy situation, and to study the offspring from birth to five years old. Would the affects of the pregnant woman in prison create certain developmental issues in the children? Does it even matter? These questions and many more within the psychology realm are what make this a fascinating discipline to study. It truly is the nature of ourselves that we get to ask questions about, and find the deeper, hidden meanings. References DiPietro, J. A. (2004, April). The role of prenatal maternal stress in child development. Current Directions in Psychological Science, 13(2), 71-74. Retrieved from http://www.jstor.org/stable/20182913

Life and work in Merthyr Tydfil in the nineteenth century

The growth of industry in Merthyr was the main reason for the huge increase in population over a hundred years from 1750 to 1851. The population was estimated at four hundred people for the year 1750,this was just an estimate so we do not know how reliable this is as it is just an estimate and was not an official system. However by 1801 the first census was introduced and this produced an official figure for the population in Merthyr at the time, which was seven thousand people. This shows a massive increase in population in just over fifty years. The population continued to rise up until 1851 where it reached forty six thousand people. Source A1 The population of Merthyr Tydfil Year Population 1750 400 1801 7,000 1831 30,000 1851 46,000 The area of Merthyr was ideally situated for an iron works, as the mountains above were inexhaustible sources of Iron ore, coal, limestone, firestone and fire clay. There were several iron works in Merthyr at the time but the ones of Mr.Crawshays were the grandest and largest. The workers earnings averaged à ¯Ã‚ ¿Ã‚ ½3 a month. This covered Men, Women and Children. The maximum wage of the workers was nine Guineas, which was à ¯Ã‚ ¿Ã‚ ½9.45 per month. However this compared to Crawshay was nothing as he was earning a bumper à ¯Ã‚ ¿Ã‚ ½36,000 per annum. These facts and figures come from source A2 from the resource booklet. Rev. George Capper produced the source in a journal of a tour of Wales. This therefore makes the source a very reliable piece of evidence as Reverend George wrote it, who would have been a trustworthy and respected member of society. Also he would have had no reason to adopt a biased view on the subject. The source is very useful to a historian studying the works in Merthyr as it gives information regarding the size of the works and wage structures of the factory. Transport played a major part in the growth of Merthyr as an industrial town. In 1790 plans were put forward to construct a canal, which would go from Merthyr to Cardiff. It cost à ¯Ã‚ ¿Ã‚ ½103,600 and took four years to build. On its completion in February 1794 the canal measured 241/2 miles. The canal allowed raw materials to be transported at a much faster rate than previously, it could also transport a larger amount of goods at a time, compared to the old method of a horse and cart. Source A5(ii) shows how in ten years the use of the canal went from 83,729 tons of coal a year to 211,214 tons of coal a year. The levels of discontent in Merthyr started to rise at the start of the nineteenth century. There were many factors that contributed to this; one of them was truck tokens that were issued to workers as payment. This caused discontent because the tokens could only be spent in the shops, which were owned by the truck companies. The goods were highly priced and poor in quality, this along with a number of other issues including the state of the government at the time eventually led to the start of the riots in Merthyr at the start of the nineteenth century. Source B2 explains how the riot in Merthyr had reached such a point that it would be impossible to stop without the assistance of the military. It also explains what the rioters were doing during the riot, how they had demolished truck shops, the main one being the Morgan Lewis shop. It goes on to say that he thought there were in excess of two thousand people ‘doing all the mischief they can.' G.Lyndon produced the source in a letter to Samuel Homfray on the 22nd September 1800. It would have been reliable because the letter was taken from the time of the riot, also source B3 is shows a painting of troops arriving in Merthyr which backs up what is said in the letter. The painting is a contemporary painting by Penry Williams. Even though it is a contemporary painting it may not be an entirely reliable source as the artist may have exaggerated the scene, it would have been more reliable if it had been a photo instead of a painting. This would affect the usefulness of the source to an historian studying the events in Merthyr. The usefulness of the letter is that it would have been able to tell historians exactly what was going on in Merthyr at the time and how serious the riots actually were. At the start of the nineteenth radical ideas started to become more popular in Merthyr. They believed that wide scale reforms were needed in Merthyr at the time. These views are put across in source B4, which is part of an anonymous paper, found near Penydarren on 27th January 1817. It talks about the misery of the people of Merthyr and how if changes are not made soon the workers will take the law into their own hands. Source A1 shows the growth in population in Merthyr over a hundred years from 1750 to 1831. Source C1 shows the census of 1851 in detail. The reliability of this source is put into question as it says that the total population in Merthyr in the year 1851 is six thousand, five hundred and twenty eight. If this is compared to source A1, where it states that the population in Merthyr was actually thirty thousand people. Therefore there is a difference of nearly twenty five thousand between each source. This also casts doubt over the reliability of source A1, however in my opinion source I believe that source A1 would be more reliable than source C1 because source A1 supports the fact that Merthyr was booming due to the increasing size of the ironworks at the time.

Columbine High School massacre, Essay

A video game is an electronic game that involves human interaction with a user interface to generate visual feedback on a video device. Video games typically use additional means of providing interactivity and information to the player. Audio is almost universal, using sound reproduction devices, such as speakers and headphones. Other feedback may come via haptic peripherals, such as vibration or force feedback, with vibration sometimes used to simulate force feedback. In the early days of cartridge consoles; they were sometimes called TV games. It has been shown that action video game players have better hand-eye coordination and visuo-motor skills, such as their resistance to distraction, their sensitivity to information in the peripheral vision and their ability to count briefly presented objects, than nonplayers. Researchers found that such enhanced abilities could be acquired by training with action games, involving challenges that switch attention between different locations, but not with games requiring concentration on single objects. It has been suggested by a few studies that online/offline video gaming can be used as a therapeutic tool in the treatment of different mental health concerns. In Steven Johnson’s book, Everything Bad Is Good for You, he argues that video games in fact demand far more from a player than traditional games like Monopoly. To experience the game, the player must first determine the objectives, as well as how to complete them. They must then learn the game controls and how the human-machine interface works, including menus and HUDs. Beyond such skills, which after some time become quite fundamental and are taken for granted by many gamers, video games are based upon the player navigating a highly complex system with many variables. Learning principles found in video games have been identified as possible techniques with which to reform the U. S. education system. It has been noticed that gamers adopt an attitude while playing that is of such high concentration, they do not realize they are learning, and that if the same attitude could be adopted at school, education would enjoy significant benefits. Students are found to be â€Å"learning by doing† while playing video games while fostering creative thinking. Video game development and authorship, much like any other form of entertainment, is frequently a cross-disciplinary field. Video game developers, as employees within this industry are commonly referred, primarily include programmers and graphic designers. Over the years this has expanded to include almost every type of skill that one might see prevalent in the creation of any movie or television program, including sound designers, musicians, and other technicians; as well as skills that are specific to video games, such as the game. All of these are managed by producers. 97% of 12-17 year olds in the US played video games in 2008, thus fueling an $11. 7 billion domestic video game industry. In 2008, 10 of the top 20 best-selling video games in the US contained violence. Violent video games have been blamed for school shootings, increases in bullying, and violence towards women. Critics argue that these games desensitize players to violence, reward players for simulating violence, and teach children that violence is an acceptable way to resolve conflicts. Video game advocates contend that a majority of the research on the topic is deeply flawed and that no causal relationship has been found between video games and social violence. They argue that violent video games may reduce violence by serving as a substitute for rough and tumble play and by providing a safe outlet for aggressive and angry feelings. The controversy over violent video games resurfaced following the massacre of 13 people at Columbine High School in Jefferson County, CO on Apr. 20, 1999. The two teenage shooters were revealed to be avid players of weapon-based combat games Wolfenstein 3D and Doom. Following the shooting, 176 newspaper articles across the country focused on the allegation that video games were the cause of the tragedy. On Oct. 7, 2005, California passed a law that required violent video games to include an â€Å"18† label and criminalized the sale of these games to minors. The law was blocked by the US District Court for the Northern District of California and was struck down in Feb. 2009 by the 9th US Circuit Court of Appeals citing First Amendment protections and the inability of the state to demonstrate a link between violence in video games and real-world violence. As of Dec. 2008, six other state statutes and two city ordinances concerning the sale of violent video games to minors have been stricken down on similar grounds. On June 27, 2011, the US Supreme Court ruled 7-2 in Brown vs. Entertainment Merchants Association that the California law banning the sale of violent video games to minors violated free speech rights. In the majority opinion, Justice Antonin Scalia wrote, â€Å"A state possesses legitimate power to protect children from harm†¦ but that does not include a free-floating power to restrict the ideas to which children may be exposed. † Several games have garnered significant media attention, including 2004’s JFK assassination reenactment JFK Reloaded, 2005’s Columbine shooting reenactment Super Columbine Massacre RPG! , and 2006’s Rape Lay, a Japanese video game where the player stalks and rapes a mother and her two daughters. Prior to the release of Call of Duty: Modern Warfare 2, which went on to gross $550 million in the first five days after its Nov. 10, 2009 release, leaked footage of the game stirred enough controversy that publisher Activision issued a response defending the game’s violent imagery. Some cons to the question â€Å"Does Video Games promote violence are the following: Violent juvenile crime in the United States has been declining as violent video game popularity has increased. The arrest rate for juvenile murders has fallen 71. 9% between 1995 and 2008. The arrest rate for all juvenile violent crimes has declined 49. 3%. In this same period, video game sales have more than quadrupled. Another con would be violent video games provide healthy and safe opportunities for children to virtually explore rules and consequences of violent actions. Violent games also allow youth to experiment with issues such as war, violence and death without real world consequences. In conclusion I have learned throughout this research that video games in fact do have a major impact on young adolescents in today’s time whether it’s positive or negative. I’ve also realized that for one some kids may act out because of theses sometime violent games and that for two they may improve in their behavior by these games as well. There isn’t really a yes or no answer to this research topic ,but maybe parents should just get games more appropriate for their child’s age . Work Cited â€Å"Video Games ProCon. org. † ProConorg Headlines. N. p. , n. d. Web. 12 Nov. 2013. â€Å"Video Game. † Wikipedia. Wikimedia Foundation, 11 Dec. 2013. Web. 12 Nov. 2013. â€Å"Children and Video Games: Playing with Violence. † Children and Video Games: Playing with Violence. N. p. , n. d. Web. 12 Nov. 2013.

Bloodlines Chapter Twenty-Three

â€Å"WHAT DID YOU DO?† I was sitting on the end of a row of seats at Jill's fashion show almost a week later, in downtown Palm Springs, waiting for things to start. I hadn't even known Trey was at the show and was startled to suddenly find him kneeling beside me. â€Å"What exactly are you referring to?† I asked him. â€Å"There are about a million things I can take credit for.† He scoffed and kept his voice pitched low, which wasn't too necessary with the dull roar of conversation around us. Several hundred had turned out to see the show. â€Å"I'm talking about Slade and friends, and you know it,† Trey said. â€Å"They've been really upset about something this week. They keep complaining about those stupid tattoos.† He looked at me meaningfully. â€Å"What?† I asked, putting on a face of innocence. â€Å"Why do you think this has anything to do with me?† â€Å"Are you saying it doesn't?† he asked, not fooled in the least. I could feel a traitorous smile playing over my lips. After raiding Keith's apartment, the Alchemists had made sure his tattooist partners no longer had the means to administer illicit tattoos. There'd also been no more talk of Zoe replacing me. It had taken days before Slade and his friends had realized their connection to performance-enhancing ink was gone. I'd been observing their furtive conversations with amusement this week but hadn't realized Trey had noticed as well. â€Å"Let's just say that Slade may soon no longer be the superstar he's been,† I said. â€Å"Hope you're ready to step up and take his place.† Trey studied me a few moments more, apparently hoping I'd add something else. When I didn't, he simply shook his head and chuckled. â€Å"Anytime you need coffee, Melbourne, you come see me.† â€Å"Noted,† I said. I gestured toward the still-growing crowd. â€Å"What are you doing here anyway? I didn't realize you were interested in today's hottest fashions.† â€Å"I'm not,† he agreed. â€Å"But I've got a couple of friends working on the show.† â€Å"Girlfriends?† I asked slyly. He rolled his eyes. â€Å"Friends who are girls. I have no time for silly female distractions.† â€Å"Really? I figured that's why you got your tattoo. I hear women go for that kind of thing.† Trey stiffened. â€Å"What are you talking about?† I remembered that Kristin and Julia had mentioned how strange it was that Trey had a tattoo of his own and Eddie had later mentioned seeing it on Trey's lower back in the locker room. Eddie had said it looked like a multi-rayed sun made of very ordinary ink. I'd been waiting for a chance to tease Trey about it. â€Å"Don't play coy. I know about your sunshine. How come you always give me such a hard time, huh?† â€Å"I†¦Ã¢â‚¬  He was truly at a loss. More than that. He looked uncomfortable, worried – like this was something he hadn't wanted me to know about. That was weird. It wasn't that big a deal. I was about to question him more when Adrian suddenly made his way to us through the crowd. Trey took one look at Adrian's stormy face and immediately got to his feet. I could understand his reaction. Adrian's expression would've intimidated me too. â€Å"Well,† said Trey uneasily. â€Å"Thanks again. I'll catch you later.† I murmured a goodbye and watched as Adrian slipped past me. Micah sat beside me, then Eddie, and then two empty seats we'd saved. Adrian sat down in one of them, ignoring Eddie's greeting. Moments later, Lee came hurrying in and took the other seat. He looked troubled about something but still managed to be friendlier than Adrian. Adrian stared stonily ahead, and my good mood plummeted. Somehow, without knowing why, I had a feeling I was the reason for his dark mood. We had no time to pursue it, though. The lights went down and the show began. It was emceed by a local newscaster, who introduced the five designers showing tonight. Jill's designer was third, and watching the others go before her made the anticipation that much more intense. This was worlds away from the practice sessions I'd seen before. The lights and the music took everything to a more professional level, and the other models seemed so much older and seasoned. I began to share Jill's earlier anxiety, that maybe she was out of her league. Then Lia DiStefano's turn came. Jill was one of her first models and emerged wearing a flowing, silvery evening gown made of some fabric that seemed to defy gravity. A half mask of pearls and silver covered up her part of her face, obscuring her identity to those who didn't know better. I would've expected them to tone down her vampire features a little, to possibly give her a little more humanlike color. Instead, they'd played up her unusual looks, putting a luminescent powder on her skin that enhanced her paleness in a way that made her look otherworldly. Every single curl had been arranged into place, artfully falling around her and bedecked with tiny glittering jewels. Her walk had improved vastly since that first practice. She'd practically slept in those high heels and had gone beyond simply not trying to fall over. There was a new confidence and purpose that hadn't been there before. Every once in a while, I'd catch a faint glimpse of nervousness in her eyes or an adjustment in her stride as she managed the tall silver heels. I doubted anyone else noticed those things, however. Anyone who didn't know Jill and her traits well would see nothing but a strong, ethereal woman striding down the catwalk. Amazing. If she could transform this much with only a little encouragement, what more was to come? Glancing at the guys beside me, I saw similar feelings mirrored in their faces. Adrian's was filled with that brotherly pride he often had for her, all traces of his earlier bad mood vanished. Micah and Lee both displayed pure, unfiltered adoration. To my surprise, Eddie's expression was adoring too, along with something else. It was almost†¦ worshipful. This was it, I realized. In coming out as this beautiful, larger-than-life goddess-like creature, Jill was giving flesh to all of Eddie's idealistic, protective fantasies. She was the perfect princess now, with her dutiful knight waiting to serve. She appeared two more times in Lia's line, stunning each time, though never quite matching that initial debut in the silver dress. I watched the rest of the show with only half an eye. My pride and affection for Jill were too distracting, and honestly, most of the clothes I saw tonight were way too flashy for my tastes. There was a reception after the show, where guests, designers, and models could mingle over refreshments. My little group found a corner near the hors d'oeuvres to wait for Jill, who had yet to make an appearance. Lee carried an enormous bouquet of white lilies. Adrian watched a waitress go by with a tray full of champagne glasses. His eyes were filled with longing, but he made no moves to stop her. I was proud and relieved. Jill, balance, and alcohol were not things we wanted to mix. When the waitress was gone, Adrian turned to me, and I finally saw that earlier anger return. And, as I'd suspected, it was directed toward me. â€Å"When were you going to tell me?† he asked. It was as enigmatic as Trey's earlier opening line. â€Å"Tell you what?† â€Å"That the financial aid isn't going to come through! I talked to the registrar's office, and they said you knew.† I sighed. â€Å"I wasn't keeping it from you, exactly. I just didn't have a chance to tell you yet. There were kind of a lot of other things going on.† Okay, I actually had been putting it off, for exactly this reason. Well, not exactly. I hadn't anticipated he would get so worked up about it. â€Å"You apparently had enough time to pay the auditing fee, though. And enough money. But not enough to fund new lodging.† I think what was more upsetting about this than the topic was the insinuation that I had somehow chosen to act in a way that would inconvenience him. Like I'd purposely subject myself to this if there'd been some way to avoid it. â€Å"A onetime payment was easy to slip in,† I told him. â€Å"Month-to-month rent? Not so much.† â€Å"Then why bother at all?† he exclaimed. â€Å"The whole point of this was to get me money to get out of Clarence's! I wouldn't be taking these stupid classes otherwise. You think I want to ride the bus for hours each day?† â€Å"Those classes are good for you,† I countered, feeling my own temper rise. I hadn't wanted to lose control, not here and certainly not with our friends witnessing everything. Yet I was appalled at Adrian's reaction. Couldn't he see how good it was for him to do something useful? I'd seen his face when he showed me his paintings. They'd given him a healthy channel to deal with Rose, not to mention a sense of purpose for him. And besides, it killed me to see how casually he could just toss aside those â€Å"stupid† classes. It was another reminder of the unfairness of the world, how I couldn't have what others took for granted. He scowled. â€Å"‘Good for me?' Come on, stop being my mom again! It isn't your job to tell me how to live my life. If I want your advice, I'll ask for it.† â€Å"Right,† I said, putting my hands on my hips. â€Å"It's not my job to tell you how to live your life – just my job to make it as easy as possible for you. Because God knows you can't suffer through anything that's a little inconvenient. What happened to all those things you told me? About being serious about improving your life? When you asked me to believe in you?† â€Å"Come on, you guys,† said Eddie uneasily. â€Å"This isn't the time or place.† Adrian ignored him. â€Å"You have no problem making Jill's life as easy as possible.† â€Å"That is my job,† I growled back. â€Å"And she's still a girl. I wouldn't think an adult like you would need taking care of the same way!† Adrian's eyes were filled with emerald fire as he glared down at me, and then his gaze focused on something behind me. I turned and saw Jill approaching. She was back in the silver gown, her expression full of radiant happiness – happiness that plummeted as she got closer and realized there was an altercation going on. By the time she was standing next to me, all her excitement from a moment ago had been replaced by worry and concern. â€Å"What's happening?† she asked, looking between Adrian and me. Of course, she had to already know because of the bond. It was a wonder his dark feelings hadn't messed up her performance. â€Å"Nothing,† I said flatly. â€Å"Well,† said Adrian. â€Å"It depends how you define ‘nothing.' I mean, if you consider lying and – â€Å" â€Å"Stop it!† I cried, raising my voice in spite of my best effort. The room was too noisy for most to notice, but a couple people standing nearby glanced at us curiously. â€Å"Just stop it, Adrian. Can you please not ruin this for her? Can't you just for one night pretend there are other people in the world who matter besides you?† â€Å"Ruin it for her?† he exclaimed. â€Å"How the hell can you say that? You know what I've done for her! I've done everything for her! I've given up everything for her!† â€Å"Really?† I asked. â€Å"Because from what I can tell, it doesn't seem like – â€Å" I caught sight of Jill's face and promptly cut myself off. Behind the mask, her eyes had gone wide with dismay at the accusations Adrian and I were slinging back and forth. I'd just told Adrian he was selfish and not thinking of Jill, yet here I was, continuing to engage with him on her big night, in front of her and our friends. It didn't matter if I was right – and I felt certain I was. This was no time to be having this discussion. I shouldn't have let Adrian bait me into this, and if he didn't have the sense to stop things before they got worse, then I would. â€Å"I'm leaving,† I said. I forced as sincere a smile as I could for Jill, who now looked on the verge of tears. â€Å"You were amazing tonight. Really.† â€Å"Sydney – â€Å" â€Å"It's okay,† I told her. â€Å"I've got some things to do.† I groped for what they would actually be. â€Å"I need to, um, clean up the stuff Keith left behind. Can you get her and Eddie back to Amberwood?† This was directed to Micah and Lee. I knew one of them would step up. I felt no need to make any such provisions for Adrian. I honestly didn't care what became of him tonight. â€Å"Of course,† said Lee and Micah in unison. After a moment, though, Lee frowned. â€Å"Why do you need to clean up Keith's stuff?† â€Å"Long story,† I muttered. â€Å"Let's just say he left town and won't be back anytime soon. Maybe never.† Inexplicably, Lee seemed bothered by this. Maybe during all the time Keith had spent at Clarence's, the two guys had become friends. If so, Lee owed me. Jill still looked upset. â€Å"I thought we were all going out to celebrate?† â€Å"You can if you want,† I said. â€Å"As long as Eddie's with you, I really don't care.† I reached awkwardly to Jill. I almost wanted to hug her, but she was so elaborate and magnificent in her clothing and makeup that I was afraid of ruining her. I settled for a halfhearted pat on the shoulder. â€Å"I meant it. You were breathtaking.† I hurried away, half-afraid that either Adrian or I would crack and say something stupid to the other. I had to get myself out of there. My hope now was that Adrian would have enough sense to let the topic go and not make this night any worse for Jill. I didn't know why the fight with him upset me so much. He and I had been bickering nearly since we'd met. What was one more quarrel? It's because we'd been getting along, I realized. I still didn't think of him in human terms, but somewhere along the way, I'd come to regard him as a little less of a monster. â€Å"Sydney?† I was stopped by an unexpected source: Laurel. She had touched my arm as I passed by a group of girls from Amberwood. I must have looked really mad because when I fixed my gaze on her, she actually flinched. That had to be a first. â€Å"What?† I asked. She swallowed and stepped away from her friends, eyes wide and desperate. A fedora covered most of her hair, which – I'd heard – she still hadn't been able to restore to normal. â€Å"I heard†¦ I heard you might be able to help me. With my hair,† she said. That was another favor Kristin had done me. After letting Laurel suffer for a few days, I'd had Kristin put out the word that Sydney Melrose – with her dorm room pharmacy – might be able to fix what was wrong. I'd also made sure, however, that it was understood that Laurel wasn't my favorite person and that it would take a lot to convince me. â€Å"Maybe,† I said. I tried to keep my face hard, which wasn't difficult since I was still so upset over Adrian. â€Å"Please,† she said. â€Å"I'll do whatever you want if you can help me! I've tried everything on my hair, and nothing works.† To my astonishment, she shoved some yearbooks at me. â€Å"Here. You wanted these, right? Take them. Take whatever you want.† Another five days of scrubbing with heavy detergent would actually fix her, but I certainly wasn't going to tell her. I took the yearbooks. â€Å"If I help you,† I said, â€Å"you need to leave my sister alone. Do you understand?† â€Å"Yes,† she said quickly. â€Å"I don't think you do. No more stunts, bullying, or talking about her behind her back. You don't have to be her best friend, but I don't want you interfering with her anymore. Stay out of her life.† I paused. â€Å"Well, except to offer an apology.† Laurel was nodding along with everything I said. â€Å"Yes, yes! I'll apologize right now!† I lifted my eyes to where Jill was standing with her admirers, Lee's flowers in her arms. â€Å"No. Don't make this night any weirder for her. Tomorrow's soon enough.† â€Å"I will,† said Laurel. â€Å"I promise. Just tell me what to do. How to fix this.† I hadn't expected Laurel to approach me tonight, but I had been expecting her one of these days. So, I already had the small bottle of antidote ready in my purse. I retrieved it, and her eyes nearly popped out of her head as I held it in front of her. â€Å"One dose is all you need. Use it just like shampoo. Then you'll have to re-dye it.† She reached for the bottle, and I jerked it back. â€Å"I mean it. Your harassment of Jill ends now. If I give this to you, I will not hear one more word about you giving her a hard time. No more grief if she talks to Micah. No more vampire jokes. No more calling Nevermore and asking about tall, pale people.† She gaped. â€Å"No more what? I never called anyone!† I hesitated. When the tattooist had mentioned someone calling and asking about people who looked like vampires, I'd assumed it was Laurel running with the vampire joke. From the baffled look on her face now, I no longer thought that was true. â€Å"Well, if I hear about any of the other stuff continuing, then what happened to your hair will be nothing in comparison to what happens next. Nothing. Do you understand me?† She nodded shakily. â€Å"P-perfectly.† I handed her the bottle. â€Å"Don't forget.† Laurel started to turn away and then cast another uneasy glance at me. â€Å"You know, you can be scary as hell sometimes.† I wondered if the Alchemists had had any idea what I'd be doing when it came to this job. At least this settled one thing. Laurel's desperation convinced me the vampire jokes had only been a tactic. She didn't really believe any of them were true. It did, however, raise the unnerving question about who had asked about vampires at Nevermore. When I was finally out of the building and heading toward my car, I decided I really would go to Keith's. Someone needed to sort through his belongings, and it seemed like a safe way to avoid the others. I still had a couple of hours before curfew at Amberwood. Keith's apartment hadn't been disturbed since the Alchemists had raided it. The telltale signs from before were there, where we'd discovered his stash of Clarence's blood and silver supplies. The Alchemists had done little more than retrieve the essentials they needed and had left the rest of his belongings behind. My hope in coming tonight had been to get ahold of his other ingredients, the ones not used to manufacture illicit tattoos. It was always handy to have extra amounts of those chemicals on hand, be it for destroying Strigoi bodies or making dorm room chemistry experiments. No such luck. Even if his other supplies hadn't been illegal, the Alchemists had apparently decided to confiscate all chemicals and ingredients. Since I was here, though, I decided to see if any of his other possessions were items that would be of use to me. Keith certainly hadn't held back in using his illicit funds to furnish the apartment with every comfort of home. Scratch that. I doubted his home had anything like this: a California-king-sized bed, giant flatscreen TV, a theater-worthy sound system, and enough food to throw parties every night for the next month. I peered through cupboard after cupboard, appalled at how much of that food was junk food. Still, maybe it'd be worth taking some of it back for Jill and Eddie, so I bagged up the more portable sweets for them, organizing by color and size. I wondered also about the practicality of hauling the TV back to Amberwood. It seemed like a waste to leave it for the Alchemists' repo crew, though I could already imagine Mrs. Weathers's expression if she saw us dragging it up the stairs. I wasn't even sure Jill and I had a wall big enough to hold it. I sat down in Keith's recliner to ponder the TV issue. Even the recliner was top of the line. The luxurious leather felt like butter, and I practically sank into the cushions. Too bad there was no room for it in Ms. Terwilliger's room. I could see her relaxing back in it while drinking cappuccino and reading old documents. Well, whatever became of the rest of Keith's stuff, it was going to require the rental of a moving truck because Latte certainly couldn't handle the TV, chair, or most of the other things. Once this was decided, there was no reason for me to stay any longer tonight, but I hated to go back. I was afraid of seeing Jill. There was no reaction of hers I welcomed. If she was still sad from the argument, that would make me feel guilty. If she tried to defend Adrian, that would upset me too. I sighed. This chair was so ridiculously comfortable, I might as well enjoy it a little longer. I dug into my messenger bag, looking for homework, and remembered the yearbooks. Kelly Hayes. I'd had almost no time to think about her or the murders, not with all the drama surrounding Keith and the tattoos. Kelly had been a junior when she died, and I had a yearbook for each of her years at Amberwood. Even as a freshman, Kelly took lots of space in the yearbook. I remembered Mrs. Weathers saying Kelly was a good athlete. No kidding. Kelly had participated in nearly every sport Amberwood offered and been exceptional at all of them. She'd made varsity teams during her first year and won all sorts of awards. One thing I also immediately discovered was that Kelly was definitely not a Moroi. That much was obvious, even in black and white, and confirmed in the sophomore-year color spread in the middle. She had a very human build and tanned skin that clearly loved the sun. I was skimming the index of the junior yearbook when I heard a knock at the door. For a moment, I didn't want to answer. For all I knew, it was some loser friend Keith had made while here, looking to eat his food and watch TV. Then I worried it could be something Alchemist related. I found the Kelly tribute section I'd been seeking and set the yearbook down before tentatively approaching the door. Looking out the peephole, I caught sight of a familiar face. â€Å"Lee?† I asked, opening the door. He gave me a sheepish smile. â€Å"Hey. Sorry to bug you here.† â€Å"What are you doing here?† I exclaimed, beckoning him inside. â€Å"Why aren't you back with the others?† He followed me into the living room. â€Å"I – I needed to talk to you. When you said you were coming here, it made me wonder if what my father had said was true. That Keith isn't here anymore?† I sat back down on the recliner. Lee took a spot on the nearby loveseat. â€Å"Yup. Keith's gone. He was, uh, reassigned.† Keith was off being punished somewhere, and I said good riddance. Lee glanced around, taking in the expensive furnishings. â€Å"This is a nice place.† His eyes fell on the cabinet that had held the alchemy supplies. Its door still hung precariously from its hinges, and I hadn't bothered tidying up where the Alchemists had cleaned out its other contents. â€Å"Was this†¦Ã¢â‚¬  Lee frowned. â€Å"Was this place broken into?† â€Å"Not exactly,† I said. â€Å"Keith, um, just needed to find something in a hurry before he left.† Lee wrung his hands and looked around some more before turning back to me. â€Å"And he's not coming back?† â€Å"Probably not.† Lee's face fell, which surprised me. I'd always gotten the impression he didn't like Keith. â€Å"Will another Alchemist be replacing him?† â€Å"I don't know,† I said. There was still some debate on that. Turning Keith in had stopped me from being replaced by Zoe, and Stanton was now considering just having me fill in as the local Alchemist since the duties were light. â€Å"If someone does, it may be a while.† â€Å"So you're the only Alchemist in the area,† he repeated, sounding sadder still. I shrugged. â€Å"There are some in Los Angeles.† That inexplicably perked him up a little. â€Å"Really? Could you tell me their – â€Å" Lee stopped as his focus dropped to the open yearbook lying at my feet. â€Å"Oh,† I said, scooping it up. â€Å"Just a research project I'm doing on – â€Å" â€Å"Kelly Hayes.† The cheerful look was gone. â€Å"Yeah. Have you heard of her?† I reached for a nearby piece of scrap paper, intending to use it as a bookmark for the tribute section. â€Å"You might say that,† he replied. I started to ask what he meant, and that's when I saw it. The spread they'd done in honor of Kelly had pictures from all parts of her high school life. Unsurprisingly, most of them were pictures of her playing sports. There were a few from other areas of her social and academic worlds, including one of her at the prom. She wore a stunning blue satin dress that made the most of her athletic figure and was giving the camera a big grin as she wrapped an arm around her dashing, tuxedo-clad date. Lee. I jerked my head up and looked at Lee, who was now regarding me with an unreadable expression. I turned back to the picture, scrutinizing it carefully. What was remarkable wasn't that Lee was in the picture – though, believe me, I hadn't figured out what was going on with that yet. What had me hung up was the timing. This yearbook was five years old. Lee would've been fourteen at the time, and the guy looking back at me with Kelly was certainly not that young. The Lee in the picture looked exactly like the nineteen-year-old sitting across from me, which was impossible. Moroi had no special immortality. They aged like humans. I looked back up, wondering if I should be asking if he had a brother. Lee saved me from questioning, though. He simply regarded me with a sad look and shook his head. â€Å"Shit. I hadn't wanted it to happen like this.† And then, he took out a knife.

Readings Essay Example | Topics and Well Written Essays - 500 words

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Native American Art Essay Example | Topics and Well Written Essays - 250 words

Native American Art - Essay Example In addition to this unity of rhythm in both artistic products, each seemed to have an overarching, celestial quality overlaid upon the foundation rhythm. In the Friendship Dance, this is accomplished by the various vocal tones produced by the singers. The austerity of the rock arts basic geometric shapes is likewise raised to a different plain by embellishments of a more abstract nature. These include sweeping arches over the heads of characters and lines that could almost be described as suggesting movement of the figures. One difference between the two media is their feeling of accessibility. For me personally, the Friendship Dance seemed to be inviting me to come and join in some sort of festivity. The rhythm of the drums and the vocals, although foreign to my ear and understanding, sounded inviting and welcoming. On the other hand, the rock art was a wonder to behold, but seemed very cold to me. It did not make me feel as though I would ever be a part of the world that it was depicting. While I appreciated the nature of the art, I came away feeling as though you really had to be a Native American to really â€Å"get† what the rock art was all about. On the other hand, I felt that the Friendship Dance had the ability to communicate across cultural